





These spectral interviews and dynamic materials serve as a test of media clairvoyance—medium as medium. Filtered through the lenses of affect, geography, material, and the vernacular of the spectacular, I reach out to the specters that accompany me through the objects they lived in that now live on with me. These materials act as a conduit for the spectral appearance, collapsing time through medium, serving as an anachronic effigy to those I have loved and lost—a demonstration of the poetics of quantum entanglement—spooky action at a distance.