• Projects
  • Reliquary Quilt
  • To Embrace Abjection
  • To Leave Trace—Staining, Working
  • Ecosophy Poem Traps No. 4 - 8 (Iteration No.2)
  • Ecosophy Poem Traps No. 1 - 3
  • Hunting for the Spirit of Place— Divination Walk
  • My Return to the Poetics of the Unnamable
  • The Mourning, The Marking, The Working No. 1 - 3
  • The Medb Test Paints
  • The Sound, The Ground, The Flowers
  • The Gutenberg Parenthesis
  • The Ant Poems
  • Yours, Ours, Mine
  • Collective Grief
  • Collection of Self
  • Soft Recounting
  • What I Permanently Thrust Aside
  • Our Sediment
  • Vessel
  • Accumulation
  • Thin Places (On Collecting)
  • Remnants
  • Marking Trauma
  • Touch
  • Information
  • Artist Statement
  • About
  • Contact
  • Curriculum vitae
Delaney Logan Gardner Sweeney
  • Projects
  • Reliquary Quilt
  • To Embrace Abjection
  • To Leave Trace—Staining, Working
  • Ecosophy Poem Traps No. 4 - 8 (Iteration No.2)
  • Ecosophy Poem Traps No. 1 - 3
  • Hunting for the Spirit of Place— Divination Walk
  • My Return to the Poetics of the Unnamable
  • The Mourning, The Marking, The Working No. 1 - 3
  • The Medb Test Paints
  • The Sound, The Ground, The Flowers
  • The Gutenberg Parenthesis
  • The Ant Poems
  • Yours, Ours, Mine
  • Collective Grief
  • Collection of Self
  • Soft Recounting
  • What I Permanently Thrust Aside
  • Our Sediment
  • Vessel
  • Accumulation
  • Thin Places (On Collecting)
  • Remnants
  • Marking Trauma
  • Touch
  • Information
  • Artist Statement
  • About
  • Contact
  • Curriculum vitae

Our Sediment

2019
Pen, ink, assorted memories

I documented the personal sediment of three individuals. I sat with each person, asking them to recount six memories and assign an object and weight to each memory. I then constructed a drawing to describe the materials left behind in the memories of each individual.

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