Artist Statement

My artistic practice explores the intimate vernacular of a place as I investigate how these culturally integrated and place-based objects, moments, and motions reveal private stories and map emotion and affect within a landscape. I work to make visible these unnamed and overlooked cultural objects and phenomena. I build shelves—metaphorical and otherwise—on which the small yet telling parts of the world can sit, finally precious and carefully tended. These seemingly insignificant remnants serve as clues, vignettes that quietly reveal an invisible regulatory cultural and social framework that either instigates or hinders a society’s two most powerful tools: courageous sharing and empathetic listening. I work as an artist and writer to investigate these small cultural borderlands, such as a curtain, an abandoned house, a grave plot, a roadside memorial, or a letter, to reveal and understand a place’s layered, intimate histories. I work to engage communities through storytelling, pseudo-ethnographical and ecological studies, and writings that span a diverse range of media and methods to reveal seemingly insignificant boundaries, the border between private and public, the living and the dead, truth and fiction, the written and spoken, memory and event—all boundaries that are easily blurred, merged, and broken, where thin veils draw lines between bedroom and sidewalk, diary and newspaper.